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results 1-18 of 18 item(s)  page 1 of 1 : ( <<  1  >> ) :: previous : next
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1. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] A ragged edge of a central image is covered in a grey coloured wash. The central image is of a woman in a traditional flowered kimono dancing, done from a woodcut. The woman is facing to the left and her right hand, in the lower left of the picture, holds a hat.

2. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] A ragged edge of a central image is covered in a grey coloured wash. The central image is of a Japanese woman sitting and playing a traditional three stringed lute-type musical instrument. She is wearing a flowered Kimono and is facing to the right.

3. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] A ragged edge of a central image is covered in a grey coloured wash. A Japanese woman is reclining on her knees and is using a black Japanese Fan. The woman is wearing a flowered kimono and is facing to the right.

4. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The image is a box image of two houses, one, the lower house angling towards the lower left, overlapping the other which stands in the center of the page. The first house is coloured in beige and has writing within it. The second image has a brown colored background and a black outline of a horse is contained within it.

5. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is of two roosters facing to the left. The smaller of the two is superimposed onto the hind portion of the larger one which is to the rear of the image. The roosters have orange crests, black tail feathers, and orange/brown coloured feathers over the rest of their bodies. The smaller of the two chickens is located towards the right, while the larger one is located on the left. Both roosters are facing towards the left.

6. [Bookplate by M. Trinque] [Bookplate by M. Trinque] This bookplate includes both a pictorial image and a heraldic symbol. The image, in black ink, depicts three soldiers in the process of laying communications cable. One soldier holds the spool of cable, another cuts the cable with pliers, and the third soldier keeps a look-out, rifle on back. The heraldic symbol, in coloured ink, contains an escutcheon divided per fess by an engrailed line. The top half is a dark shade of azure, while the bottom half is a light shade of azure. The escutcheon includes a sinister bend of blue, white, and red, representing the French flag. From the dexter chief to the sinister base are three fleur-de-lis. On the top of the shield is a torch, possibly representing Operation Torch, the Allied invasion of French North Africa during World War II. On both the right and left sides of the shield are signal flags, providing more indication that this coat of arms belongs to a communications unit. The left flag is a small red square within a larger white square, and the right flag is the reverse. At the base of the shield is a ribbon containing four stars. Below the image, there is space for entering a name of ownership, but it has been left blank.

7. [Bookplate for A. W. Robertson by Tom Eaglin] [Bookplate for A. W. Robertson by Tom Eaglin] This bookplate is executed in coloured ink on white paper. The colours consist of varying shades of green and bronze. In the foreground there is an image of a nude man with his head resting upon his hand, as if deep in contemplation. He is sitting upon a wood-like stump which turns into the earth at the bottom of the image. This image is most likely meant to imitate "The Thinker", a statue by Auguste Rodin.

8. [Bookplate for Charles Manby by Suffield] [Bookplate for Charles Manby by Suffield] In black ink, this bookplate consists of an escutcheon divided per pale, with a stylized bordure. The dexter quadrant, gules (red), is charged with a lion rampant and a chief, argent (silver), with three martlets. The sinister quadrant, gules, is charged with four etoiles, two over two, and contains a canton, coloured ermine (white powdered fur with black tufts), in the dexter chief of the quadrant, covering two-thirds of the etoile in that location. The canton represents the banner of the ancient Knights Banneret, which is an honourable order which has become extinct. It was on order conferred upon persons, recognized by a king or general, that had perfomed some heroic act on the battlefield. The escutcheon is crested by a straight wreath and a lion passant guardant, holding what appears to be a millrind, sable (black) in its dexter paw. The millrind is placed in the centre of a grindstone to protect the hole in the centre from the action of the axis ; it is a charge frequently used by persons connected with agriculture. Below the escutcheon is a banner containing the Latin motto.

9. [Bookplate for Edith Dair and Carl Dair] [Bookplate for Edith Dair and Carl Dair] A man, bare-chested stands on a rocky outcropping, holding a book in his hand, balanced against his thigh. Light streams from above. Chestnut coloured ink on cream background. Originators' names in black type.

10. [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] In black and yellow ink, image consists of an assortment of traffic signs grouped together, five of which are coloured in yellow.

11. [Bookplate for George H. Fensom by Walter Lohse] [Bookplate for George H. Fensom by Walter Lohse] Black and yellow ink on thick, cream coloured paper. This bookplate features a well-lit, paned window framing a rearing Pegasus. Plants and vines surround the window.

12. [Bookplate for Harry Hereford by J. B. C.] [Bookplate for Harry Hereford by J. B. C.] Printed in black ink on cream coloured paper. The image depicts the surface of a writing credenza which has a small drawer with a twisted handle on its front edge. The surface of the desk holds a closed vellum-bound book. To the left of the book is a small pile of stamped, addressed letters and a single candlestick with a lit candle. To the right of the book sits an inkwell with a quill pen resting in it. The entire scene is framed by two line borders ; the interior line is thicker than the exterior one.

13. [Bookplate for Heinrich Teuscher by K. Kleindienst] [Bookplate for Heinrich Teuscher by K. Kleindienst] In brown ink on cream coloured paper with visible chain and laid lines, a plane is pictured above an image of a building, all of which is surrounded by a floral border, architectural features, and a gardener with a bag.

14. [Bookplate for Howard Murray] [Bookplate for Howard Murray] In black ink on cream coloured paper. This bookplate depicts a sitting room with two chairs and a window looking out on trees, rolling hills and a body of water. A scroll at the base containing the originator's name is flanked by a pile of books.

15. [Bookplate for Imperial Cotton Co. by R&M] [Bookplate for Imperial Cotton Co. by R&M] Printed in black ink on cream coloured paper. The scene depicts dark-skinned laborers working in a cotton field. In the right-hand side of the foreground, a laborer holds a large wicker basket full of cotton on their head. To the left are two other large wicker baskets full of cotton. At least four other laborers recede into the depth of the field. They wear loose, baggy clothing and wide-brimmed hats. In the background is a wide, low brick factory building with smokestacks on the far left and one low, square tower with a flag in the middle. Below this scene is the insignia of the Dominion Crown and the text identifying the Imperial Cotton Co.

16. [Bookplate for J. Greaves and E. Greaves] [Bookplate for J. Greaves and E. Greaves] The name of the owners are printed center, in black ink, in a single font, on warm, buff coloured paper.

17. [Bookplate for Michael B. Kunze] [Bookplate for Michael B. Kunze] Greenish grey and black ink on white paper. Text at top. Initials are white on the coloured background. A line of a musical score appears at the bottom. Contributors include E. B.

18. [Bookplate for Paul Hahn by J. M.] [Bookplate for Paul Hahn by J. M.] Black and blue ink on cream paper. The rectangular border consists of three black lines of decreasing thickness towards the center. In the top right corner is a small butterfly with outspread wings with some decoration. Below the butterfly is text in stylized, capitalized, black serif font. The bookplate owner’s name is printed below in slightly different stylized font in a larger size. Underneath the owner’s name is a larger butterfly with more elaborate outstretched wings. The text forms a single column in the left-hand side of the bookplate. To the right of the text is a bookshelf that appears to extend down to the bottom of the bookplate. Books are stacked in various ways on the shelf, spines facing out. In front of the bookshelf is a cello. The base of the cello sits in the bottom center of the bookplate and the neck extends up towards the top right-hand corner. At the top of the cello sits a butterfly, less elaborate than the others, that has been coloured in with blue ink. To the right of the cello is a tall object extending up along the bookshelf. A section of papers, potentially sheet music, in a folder in the bottom right corner. In the bottom left corner, the bookplate creator’s initials are printed in capitalized, black, serif font surrounded by a thin black border.
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